Commissioned Works

A significant outcome of the Local Giants program is the commissioning of works created or developed during the Regional Artist Residency Program.

The first iteration of programs has seen seven new works by regional Australian artists, producers and makers receive commissioning support from presenter and producer partners across a wide range of genres, provocations, and artforms.

These works were previewed and discussed at PAC Australia’s Australian Performing Arts Exchange (APAX) in Cairns, August 2023. View the Local Giants APAX Market Guide for more information about each production.

Aboriginal Bible Continuum

Queensland

Zane Saunders and QPAC

Indigenous Visual Artist and Performer Zane Saunders is a descendant of Butchulla, Gunggari and Jarrowia People’s of Southern Queensland and lives in Kuranda North Queensland, Australia. Culture and aboriginal spirituality is the basis and inspiration of his artistic practice. Zane crafts one-off performances embedded in story and location.

Aboriginal Bible Continuum is about the continuum of culture, standing in the absolution of cultural truths, journeying beyond the discoveries of what is, and prevailing in the process of undoing. Providing platforms to aid in achieving cultural restoration and reform, encouraging justifiable change. An inquisitive exploration into the world of aboriginal culture, seeking answers of spiritual truths entwined in our people’s cultural legacies and instituted values that continually preserve life, providing ways of existing.

What started out as a youthful passion and quest in addressing personal insecurities and issues that continually affect family and broader indigenous communities has transformed into a larger cause, addressing and reversing the effects of colonial cultural genocide, discord and intervention, with discovery and reacquainted steps into levels of indigenous culture and spiritual truths. Aboriginal Bible Continuum invokes ancient indigenous cultural action providing sound cultural solutions. Zane hopes to add valuable contributions to the ongoing efforts of the indigenous collective, addressing systematic issues that hinder the welfare of the indigenous cultural space. Aboriginal Bible Continuum aims to challenge and lead people’s perceptions, to recognise the importance of maintaining culture as essential in the development of our people and indigenous cultural environments.

Photo by Russell Miledge

Chinese Market Garden Show

Queensland

Sara Isherwood

The Chinese Market Garden Show by Sara Isherwood tells the story of three generations of Chinese market gardeners, and the communities they lived and worked in. Using clown, tightwire, and juggling, the show explores one Chinese family’s connection and contribution to Queensland via small scale, community-based agriculture and food/cooking.

This immersive, experiential and experimental theatre piece ensures the audience is not passive, participating in a multi-sensory, dramatised experience—eating food, planting seeds and listening to stories. They will be able to feel the coolness of the water in the watering can, hear vegetables and plants singing in the earth, smell the cooking, and taste the ginger frying in the wok. Old knowledge of life forces and universal connections to the earth will be explored through music and sound.

The Great Traveling Médecin Show!

Queensland

Centre for Australasian Theatre

On a mission from the Ancient Future with an uplifting apothecary for living in the 21st Century.

A family of Travelling Players from the 1920s and their loyal musicians evoke a Time Warp during their Great Travelling Médecin Show at the Melbourne Exhibition Palace, hurtling them forward to the 2220s, where they live out their lives in a world shaped by the outcome of major events of the 2020s. When celestial conditions re-converge in 2223 at the Vapour Canopy Palace, Sydney, they evoke a second Time Warp, leaping them to remote Far North Queensland 2023.

Having travelled through the Ancient Future Halls of the Akashic Records, they carry sensitive information that could breach the space-time continuum held in place by Collective Consciousness—but it may just be the information required by living humans to avoid the cataclysms of our age.

Maestro, Show Girl, Song Bird, Magician, The Juggler, Shaman, Seer & The Band begin to fragment and multiply as they race against time to complete their tour and close the circuit on the cataclysmic countdown chasing them across Far North Queensland. Their eclectic show unpacks complex cultural themes with candid humour and grand spontaneity.

Hot and Heavy

Queensland

The Ironing Maidens

The Ironing Maidens is a project that encompasses live performance, electronic music, choreography, projection, sculpture installation and instrument design. The iron is used as a symbol of oppression that has been repurposed for liberation as iron instruments and domestic sound sculptures exploring granular synthesis techniques. The work is queer and developed through a glitch and sonic-cyber-feminist lens. A solo installation exhibition was presented at NorthSite Contemporary Arts in December 2022/January 2023.

Their new work, Hot and Heavy, explores what a utopian non-binary, de-capitatised, de-colonised future would feel like. The Ironing Maidens are building a new world—a live show/immersive gallery. This show is an explosion of sound design, projected worlds, sculptural interiors, performance art, dancers, aerialists, a choir and an ironing board electronic band instrumenting banging beats.

The Man in the Park

New South Wales

Bathurst Memorial Entertainment Centre Projects

Many country towns across Australia, like Bathurst, have a central park in the town that is an important part of community life. It is full of fascinating and boring people at all times of the day and night.

BMEC is undertaking a national regional playwriting competition for writers to observe and write or simply imagine a person in one of those parks, from dog walkers to homeless people, circus artists/gymnasts to drug affected people… who knows! 16 monologues will be selected to create a new play that is unique to each performance, i.e. only a selection of the 16 are performed through a variety of mechanisms such as audience choices, numbers in a hat, etc. The hope is the show can tour one or three actors and a tech to halls small and large throughout our region and beyond.

VIV!

New South Wales

Bathurst Memorial Entertainment Centre Projects

VIV! Is a multi-disciplinary marvel merging digital art, puppetry, music, and dance led by writer/director Cath McNamara. It follows the captivating story of Viv, a brave and adventurous seven-year-old with physical and intellectual disabilities. Despite being non-verbal, her contagious spirit and love for positive risk-taking inspire everyone.

Audiences are immersed in a sensory wonderland, where visuals and sounds blend into a stunning tapestry. A series of “kids’ laboratories” were conducted with local schools allowing students to interact with the show and each other, providing invaluable insights for the artists. This exceptional performance shares Viv's profound experiences, creating a joyous celebration that transcends boundaries, welcoming all children.

VIV! brings together Bathurst-based artists from Compareo, BMEC's inclusive arts program, alongside talented visiting artists. Together, they craft an unforgettable journey that touches hearts and sparks imaginations.

War of the Worlds

South Australia

Riverland Youth Theatre / Country Arts SA / Arena Theatre Company

War of the Worlds is an ambitious theatre project conceived by award winning playwright Fleur Kilpatrick (Artistic Director at Riverland Youth Theatre). The show will be performed simultaneously in Whyalla (SA), Barmera (SA) and Bendigo (VIC) by youth ensembles from D'faces, Riverland Youth Theatre and Arena Theatre Company, respectively.

Across the performance the three ensembles link up via video and phone with each other and with other young people in more remote locations. Each promenade performance is site-specific and interactive, taking place at the Whyalla Showgrounds, Riverland Field Days site and Elmore Field Days site. The show takes inspiration from The War of the Worlds by H.G. Wells, with the premise of the show being that the three youth ensembles having gathered to perform their end-of-term showcases when the aliens land. This is a contemporary take/response celebrating the voices of young people in regional Australia here and now.